Additionally, not all of the formats available are accepted by online platforms. Running through the list of formats and codecs can quickly send one back to comprehensive school maths class it can get confusing quickly. What Settings To Use To Render Banding Free However, when we flick to the H.264 clip, the parade shows scattered information. On this shot from the Blackmagic 6k, we can see information on the RGB parade is very tight. On the H.264 clip, we can see the banding in effect, especially in the top left of the image where the gradient is most visible.Īdditionally, you can also see the banding on the scopes. The original image The original image with heavy contrast applied.Įven though the image is destroyed on the raw clip, you’ll see that the colors still blend somewhat smoothly. To check how pronounced the banding is, go into Resolve, take both the RAW clip and the H.264 clip, and increase the contrast. But to us, as filmmakers and editors, it can be a visual detriment, especially if you’ve paid so much money for your camera.Īdditionally as people have different monitors with various color depths, contrast ratios, and monitor angles, the banding may be more pronounced on someone elses screen. Often, this banding isn’t going to be noticeable to anyone outside of filmmaking. On the example above, we can see that instead of smoothly blending from one hue to the next, the colours are distinctively separate, and are more visible as individual streaks (also noticeable on the cover photo). The issue is that when I export at H.264, the 8bit codec can’t contain the color information throughout the gradient, and instead, we get this color banding. Just like this!įilming at 10bit or 12bit RAW keeps this color blends nice and smooth. And because I like to film at golden hour and I film many landscapes, the sky is often filled with these beautiful gradients from deep blue to a golden yellow. However, I have an issue when I’m exporting a video to showcase the visuals of the camera. The problem is, it’s an 8bit codec, and that doesn’t work well with gradients, here’s how to fix that.įor the majority of exports, for online consumption, H.265 is perfectly adequate. In fact, it’s YouTube’s suggested video codec on their recommended settings page. H.264 is one of the most widely accepted codecs by online platforms.
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